Djembe African Drum Didgeridoo
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African Djembe Drums - Irie Tones Music
DJEMBES AND MORE

INFORMATION

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For information about the djembe, visit http://www.djembedirect.com .

ABOUT THE DJEMBE

This page contains information about the Irie Tones djembe. Although we don't claim that it is exhaustive, we hope it gives you a solid basic understanding of your instrument. If you need clarification or have something you feel would be useful to add, please contact us. We'd be happy to help!


Irie Tones Djembe Features

Colors

  • Stained - Light brown stain applied to even out the wood tones and bring out the relief carvings. This drum is often preferred by those who like the 'redwood' look.
  • Natural - Transparent shea butter enhances that natural beauty of the wood grain and helps protect the drum. For those who prefer the 'untouched' look of natural wood grain and color, this option is ideal.
  • Black - Permanent, opaque 'ebony' stain applied before carving to highlight the artwork. The color won't rub off on your clothes or hands, and makes for a very stunning, hand-carved drum.

Carvings

  • Villages - Each deep-carved ‘village’ djembe features a dancing elephant, tress and bushes, and huts – all around the base of the drum. Around the belly is a flowing geometric pattern, common to all of our djembes.
  • Symbols - Each deep-carved ‘symbols’ djembe features two traditional African adinkra symbols on the base.
    On one side is the Gye Nyame symbol, which is translated as god willing or god first.

    The other relief carving is the divided diamond symbol Eban, which is literally translated as "fence". This is a symbol of love, security, and unity.

    Complementing these beautiful symbols are various geometric borders, including the flowing pattern around the belly of the drum, which is common to all of our djembes.
  • Waves - Each deep-carved ‘waves’ djembe features three or four rows of alternating half-circles, creating a “wave” effect on the base of the drum. Around the belly is a flowing geometric pattern, common to all of our djembes.

Skins

The skin on a djembe makes a major difference in the sound and playability of the drum. A shaved goat skin head, the shape of the drum, and the level of tension work together to produce the wide range of sounds - from the high slaps to the deep bass - characteristic of the djembe. The djembe is traditionally made with a shaved goat skin head, which is what our djembes come with by default. However, Irie Tones also offers other skin options for your djembe:

  • Shaved goat skin - Mature goat skin. Cleaned and dried without using salts. Installed on drum then allowed to dry completely before shaving and applying tension.
  • Unshaved goat skin (special order) - Same as above, but has not been shaved. These drums can still be played, but also make a wonderful piece of home decor!
  • Shaved calf skin (special order) - Calf skin that has been cleaned and dried without using salts. Installed on drum, allowed to dry completely, then shaved and tightened. Calf skin djembes have a much more mellow, warm sound than the goat skin djembe. The slaps are not as high, but there is generally a wider variety of mid-tones that can be drawn out. Ideal for bass-djembe parts in an West African percussion ensemble.

Special Order Djembes

Our unshaved and calf skin djembes are available on special order. You can place an order at any time, allowing 4 to 8 weeks for delivery. If you are interested in getting a custom size, custom carving, or other unique features don't hesitate to ask.


How To Play Your Djembe

Position - The djembe is normally played in a standing or seated position. When standing you will use a strap or a stand. If using a strap the drum will rest between the legs or to one side; make sure you can comfortably reach the center of the drum with your palms without moving the shoulders. You may choose to use a djembe stand, which will take the load off your shoulders and feet. When playing from a seated position the djembe will rest between the legs, inclined away from the lap slightly. This opens up the hole so as to not obstruct the bass.

Caution - You should never play your djembe while sitting atop the base; this may add uneven tension to the head and may strain the wood at the neck. The djembe is traditionally played with the bare hands only; goat skin is typically not meant to be struck with a beater. If you must use a stick, make sure it is a padded mallet and not used with excessive force. We don't recommend this, however, because of the likelihood of damaging the skin.

The djembe makes three common sounds, the bass, tone, and slap:

  • Bass - With a stiff wrist allow an open, relaxed palm to hit the center of the head and bounce off. To reduce overtones make sure the palm of the hand is hitting the center of the drum.
  • Tone - With a firm hand and fingers together play closer to the rim of the skin. The hand should make contact with the rim of the drum at the knuckles, and the weight of the hand on the skin should be between the 2nd and 3rd knuckles.
  • Slap - With a looser hand strike the head, making contact with the edge just below the knuckles toward the palm. The emphasis of weight is on the end of the fingers. You don't need to play harder to get the slap, you just need to refine the technique.

How To Care for and Maintain Your Djembe

  • Transport and Exposure - Although your drum is very durable you should avoid exposing it to the elements (direct sunlight, extreme heat or cold, dampness, rain, snow, etc.). Also avoid rapidly moving the drum from one heat or humidity extreme to another. If you need to take your djembe to a different altitude always loosen it a bit to relieve tension and to avoid breaking the skin.
  • Cleaning - Your djembe may be cleaned with a damp cloth, but don’t apply cleansing agents or other cleaning tools. Avoid playing with dirty hands or leaving your drum exposed to sand or soil.
  • Maintenance - Under normal circumstances your djembe skin does not require any oils or leather treatment to keep it in shape; the oil from your hands should be sufficient. As wood tends to dry out over time, we recommend keeping it hydrated periodically using linseed oil, palm oil, or coconut oil. You should not need to do this more than once a year at most.

How To Rope Tune Your Djembe

We import our djembes with the head already in place and tightened, though not to the point where the skin may burst while in transport. Given this, you may wish to custom tune it according to your preferences. The following Mali-weave technique is a simple way of efficiently applying tension to your rope-tuned djembe, bougarabou, ashiko, or djun djun. Don't be intimidated! It really is quite simple and quick once you turn a few diamonds and get the hang of it. Follow the detailed instructions below to get started.

Warning: It is possible to break the skin on your drum by overtightening. Once you have achieved the tone and bass you desire, don't continue weaving. With time you may need to turn a few more diamonds as the rope and skin stretches slightly.

FORTHCOMING...


Brief History of the Djembe Drum

The djembe drum originally comes from the former 12th Century Mali Empire. Today the djembe is West Africa's most popular drum, and is a favorite among amateur and professional drummers outside of Africa. The djembe is often played with ksink ksink, a set of 3 flat shakers made of tin, which represent the shields worn by drummers who played during a battle to motivate and send messages to the warriors.

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